Announcements

Answering Questions

A few concerns have been brought to our attention and so we wanted to post more information regarding our editorial policies and organizational plans for the anthology.

We want Flaming Aces & Arrows to be a way for people to see themselves in characters, whether they’re on the asexual spectrum or the aromantic spectrum or both.

There are so many people on each spectrum, and all the intersections along the way, and frankly, many of the characters have their identities erased when they hit mainstream. We know that there are great stories out there with ace- and aro-spectrum, and we desperately wanted to share them, which is why we wanted to do this anthology.

We had a tentative organizational plan, which included author’s definitions of what term they use for their romanticism or sexuality, because there are a lot of people who don’t understand what these terms mean, and everyone defines particular terms differently.

Some feedback has told us that this method of organization makes it seem that we want authors to justify being queer enough to be included, and that was absolutely not our intention. Due to that feedback, we will not be organizing it in this fashion. We cannot fully determine the organization of the anthology until we have decided what content is going to be in it. We may do separate sections for fiction and nonfiction or separate by the genre. Any feedback on this point is appreciated.

Ceillie has experience as a copyeditor through working in journalism, as does TS, as we shared on Twitter. T.S. is in the process of querying a novel, and Brianna also writes short stories on her own.  However, we absolutely recognize that that is not the same thing as working in publishing and having short story experience.

We are consulting with industry professionals for substantive editing, both of whom are on the ace spectrum. We have not officially hired either of them yet, though. We are also consulting with presses who have crowdfunded and published anthologies before, for advice on the timeline and on contracts. We hope to have an editor hired in the next two weeks.

As far as contracts go, we have a tentative contract set up, but it is not final because we haven’t had it looked at by a lawyer. You can view the tentative contract, based off of SFWA’s model contract, here.

We have aimed for an 80,000 to 100,000 word anthology, to be available through print and for e-readers. We will be paying the editor out of our own pockets, as well as the graphic designer and sensitivity readers, due to the timing needs.

We are applying for some grants to help with this, since we do not have the capital that most publishing companies have, being just a group of people. If grants are not available, or we do not receive them, we may hope to recoup some of the costs through the Kickstarter.

We are hiring sensitivity readers because we recognize that we cannot read for accurate representation for all identities, particularly aro-spectrum characters and characters of color, given the makeup of our founding team. Based on the submissions we want to include, we will hire the appropriate sensitivity readers to ensure representational issues are handled well.

When it comes to Kickstarter, in order to get a campaign approved by the website, we have to have a prototype, which means a finished eGalley of the book in our case. We will need to work with our hired editor on a timeline, and amongst their other projects.

Because of this, we don’t have a firm timeline on publication. However, we hope to begin the crowdfunding process by September at the latest!

We hope that you will be willing to bear with us as we work out kinks that come from not being a physical publisher, and keep giving us your fantastic feedback. We wouldn’t be who we are without this community.

-Ceillie, T.S. & Brianna

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5 thoughts on “Answering Questions”

  1. I would suggest separating nonfiction from fiction, you don’t want readers thinking a nonfiction piece is a contemporary story. You could further separate the fiction by genre if you wanted, but that might depend on the submissions your receive. I would put poetry in the nonfiction section, since that is were it tends to be in the library, or you could have a separate section just for that.

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  2. Can I ask why you say Kickstarter wants you to have a finished prototype for a book? I’m just confused by that because I wouldn’t think books fall under their prototype rules. They’re not so complex as, say, the Occulus Rift. And when do you hope to be able to have a better idea of the production schedule? It also sounds like you’re hoping to get a lot of the work done before launching the Kickstarter, is that correct? I think that’s how most of the smaller anthologies I’ve backed have gone about it too, so I just want to make sure I understand yoru approach correctly, so I know what to expect. ^_^ Good luck!

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    1. Thanks for asking, Lynn! Because it is a physical product, our understanding is that Kickstarter wants proof that we’ve got this put together before they approve the project. It is also a way to tell people who want to back the project that we have what they’re asking for. We hope to have a production schedule once we’ve hired editors. They will know how long they need to get this anthology to the best it can be. We hope to have almost everything done before this hits Kickstarter, if at all possible. I hope all of this makes sense!

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